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References

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  2. Iwabuchi, K. (2020). “Pop-culture diplomacy in East Asia.” International Journal of Cultural Studies, 23(4), 512-529.
  3. Sriruksa, P. & Zhang, L. (2023). “Thai BL and Chinese Danmei: Cross-border queer media flows.” Asian Journal of Communication, 33(2), 145-163.
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3.2 C-Pop and Wang Yibo/Xiao Zhan: Dual-Circulation Superstars

Chinese entertainment uses a “double circulation” model—domestic dominance first, then targeted international (Southeast Asia, Japan, Korea). Stars emerge from idol survival shows (Produce 101 China) and expand via web dramas (The Untamed) on platforms like WeTV and iQiyi. Jung, E

The digital revolution has been the primary vehicle for this expansion. Platforms like TikTok, YouTube, and the Southeast Asian-focused

The success of Asian media is built on a foundation of high-quality production and a unique ability to hybridize local values with global appeal. For instance, Korean content has become Asia's leading category, attracting billions in investment from major global streamers like