Resident Evil: Afterlife (2010) is the Franchise's Best "Bad" Movie Resident Evil: Afterlife
Afterlife sits in the sweet spot. It has style (the 3D cinematography), substance (tight pacing, game-accurate monsters), and stupidity (slow-motion coin ricochets) in perfect balance. It is the Fast Five of the Resident Evil series—the moment the franchise stopped trying to be scary or deep and accepted that it was a kinetic, comic-book action franchise.
It's been 10 years since the events of the previous Resident Evil films. Alice (Milla Jovovich), the protagonist, has been in a cryogenic freeze, trying to escape the relentless pursuit of the Umbrella Corporation. resident evil afterlife 2010 better
Final Take: Watch Resident Evil: Afterlife not as a horror movie, but as a comic book film. Turn up the volume, ignore the plot holes, and enjoy watching Milla Jovovich shoot a double-barreled shotgun while sliding in slow motion. Sometimes, "better" just means more fun.
I walked into "Resident Evil: Afterlife" with tempered expectations, having been burned by the previous installment's lackluster effort. But thankfully, this fourth installment in the live-action series brings a much-needed breath of fresh air to the franchise. Resident Evil: Afterlife (2010) is the Franchise's Best
But Anderson introduces a vertical threat. The Umbrella helicopter, flown by Wesker, lands on the roof. The ceiling is breached. The "safe" prison becomes a shooting gallery. Furthermore, the film reveals that the rumored safe-haven "Arcadia" is not a city in Alaska, but a massive tanker ship—which turns out to be another Umbrella trap. By the end of the film, Alice realizes there is no safe zone. There is only the fight.
Throughout the film, the action sequences are fast-paced and intense, with Alice using her combat skills and cunning to take down the undead and human enemies. The film's climax features an epic showdown between Alice and Lock, with the fate of humanity hanging in the balance. It's been 10 years since the events of
As she awakens, she finds herself in a desolate, post-apocalyptic world. The once-blue skies are now a hazy gray, and the air is thick with the acrid smell of smoke and ash. Alice soon discovers that she is in a heavily fortified underground bunker, where a small group of survivors has been trying to rebuild society.
Resident Evil: Afterlife doesn't want to be The Last of Us. It isn't trying to be a harrowing meditation on grief. It is a high-octane, industrial-metal-infused fever dream. With a pulsing soundtrack by tomandandy, the film moves with the rhythm of a music video. In an age where modern action movies are often bogged down by "realistic" gritty palettes and shaky-cam, Afterlife is unapologetically bold, bright, and easy to follow. 5. The Redfield Reunion