To understand Roman Ingarden ’s seminal text, The Literary Work of Art Das literarische Kunstwerk , 1931), you need to look at it through the lens of phenomenology and ontology Stanford Encyclopedia of Philosophy
Below is a generated paper summarizing the core tenets of Ingarden’s phenomenological theory of literature. roman ingarden the literary work of art pdf
Ingarden argued for a realist phenomenology: objects exist independently of our perception, but our consciousness constitutes their meaning and aesthetic qualities. This schism is crucial for The Literary Work of Art. Unlike later post-structuralists who argued that a text has no stable structure (Derrida), or formalists who ignored the reader (Shklovsky), Ingarden carved a middle path. To understand Roman Ingarden ’s seminal text, The
This construction involves filling in the gaps and schematized aspects of the work, using the reader's own experiences and understanding of the world. Ingarden argues that the reader's role is essential to the literary work's existence, as it brings the work to life and gives it meaning. Unlike later post-structuralists who argued that a text
Metaphysical qualities are not stated; they are shown through the concretization process. A detective story without the quality of “the menacing” falls flat. A tragedy without “the tragic” is merely sad. Ingarden insists that the presence of such qualities is what distinguishes a mere literary text (e.g., a telephone directory) from a literary work of art.