The Corpse Of Anna | Fritz -2015 ((link))

The 2015 Spanish psychological thriller The Corpse of Anna Fritz (Spanish: El cadáver de Anna Fritz) follows three young men who sneak into a hospital morgue to view the body of a world-famous actress. Plot Overview

Setting and cinematography: The film uses the confined, clinical space of a morgue to heighten tension. Tight framing, dim lighting, and controlled camera movement emphasize claustrophobia and power imbalances.
Performances: Marta Torné (Anna Fritz) anchors the film with a physically restrained, emotionally charged performance. The three male actors—each representing different toxic impulses—deliver convincing, progressively unravelling portrayals that drive the film’s dread.
Tone and pacing: Short runtime and spare plotting keep the pace taut. The film avoids sensationalist camerawork in favor of a steady, observational approach that forces the audience into uncomfortable witness.

Upon release at the 2015 BAFICI (Buenos Aires International Festival of Independent Cinema), walkouts were reported. Critics were divided: The Corpse Of Anna Fritz -2015

Positive reviews praised Ribas’s bravery and the film's unblinking look at sexual violence.
Negative reviews accused the film itself of being exploitative—arguing that by showing the assault of a beautiful naked woman for 80 minutes, the film was merely serving the same voyeuristic audience it claimed to critique.

Setting and cinematography: The film uses the confined, clinical space of a morgue to heighten tension. Tight framing, dim lighting, and controlled camera movement emphasize claustrophobia and power imbalances.

Performances: Marta Torné (Anna Fritz) anchors the film with a physically restrained, emotionally charged performance. The three male actors—each representing different toxic impulses—deliver convincing, progressively unravelling portrayals that drive the film’s dread.

Tone and pacing: Short runtime and spare plotting keep the pace taut. The film avoids sensationalist camerawork in favor of a steady, observational approach that forces the audience into uncomfortable witness.

Upon release at the 2015 BAFICI (Buenos Aires International Festival of Independent Cinema), walkouts were reported. Critics were divided:

Positive reviews praised Ribas’s bravery and the film's unblinking look at sexual violence.

Negative reviews accused the film itself of being exploitative—arguing that by showing the assault of a beautiful naked woman for 80 minutes, the film was merely serving the same voyeuristic audience it claimed to critique.