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References

  1. Barthes, Roland. Image‑Music‑Text. Hill and Wang, 1977.
  2. Eco, Umberto. A Theory of Semiotics. Indiana University Press, 1976.
  3. Krauss, Rosalind. The Originality of the Avant‑Garde and Other Modernist Myths. MIT Press, 1999.
  4. Krasnow, David. The Oxford Handbook of Dance and the Popular Screen. Oxford University Press, 1995.
  5. Metz, Christian. The Imaginary Signifier: Psychoanalysis and the Cinema. Indiana University Press, 1977.
  6. Murray, Charles. Music in Film: An Introduction. Cambridge University Press, 2000.
  7. Norman, Donald A. Emotional Design: Why We Love (or Hate) Everyday Things. Basic Books, 2004.

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